Welcome to another edition of our Book Lover’s Companion podcast blog series! Today, we’re diving into the intricacies of crime fiction with our special guest, playwright, screenwriter, and crime fiction author Jon Atli Jonasson. Originating from Iceland and currently spending time in Berlin, Jon joins us to discuss his novel “Broken,” the nuances of Icelandic society, and the evolving landscape of crime writing.
### Meet Jon Atli Jonasson
In this enthralling podcast episode, Jon shares his journey from living in Berlin to crafting compelling narratives centered around social and political dynamics. His debut crime novel “Broken” is the first in what could be a series, translated into English and German, offering readers a glimpse into the unique storytelling approaches influenced by his theatrical background.
### Icelandic Summers and Crime Fiction
The discussion kicks off with a light-hearted comparison of Icelandic and Berlin summers before delving into the themes and inspirations behind Jon’s work. He reveals how his interest in Iceland’s most notorious criminal case, helped shape his approach to crime writing. This case, involving the mysterious disappearance of two unrelated men in the 1970s, became a watershed moment, resulting in a national reflection on justice and solitary confinement.
### An Inside Look at “Broken”
Jon describes “Broken” as a “state of the nation crime novel,” exploring the shifting mechanics of crime and policing in Iceland. The narrative features an unlikely heroine, whose personal struggles add depth to the storyline, reflecting broader societal changes. Jon’s depiction of Icelandic society, characterized by a mix of traditionalism and modern influences, is both revealing and thought-provoking.
### Societal and Institutional Changes
Jon sheds light on the transformation from an “old Iceland” to a “new Iceland,” emphasizing changes within police institutions and societal attitudes. He draws parallels between Icelandic societal structures and other European contexts, highlighting the complexities of democracy in smaller, tightly-knit communities.
### Gender Dynamics in Iceland’s Institutions
A significant focus of “Broken” is the role of women in Iceland’s institutions. Jon touches on Iceland’s historical achievements in feminism and ongoing challenges, such as achieving gender pay parity. His main character, alongside her male counterpart, reflects these evolving dynamics and the fresh perspectives brought into policing.
### The Global Influences and Local Challenges
Delving into the theme of external influence, Yon discusses the impact of European crime gangs in Iceland, drawing parallels with the country’s socio-economic landscape. His characters navigate a world where traditional crime intersects with modern challenges—echoing a broader narrative about change and resilience.
### Crafting Characters and Narratives
Jon’s background in screenwriting and playwriting informs his approach to character development and dialogue, ensuring that each scene unfolds with cinematic immediacy. He emphasizes the importance of character-driven narratives, aligning with the Nordic noir tradition of focusing on complex, multidimensional protagonists.
### Future Prospects and Writing Advice
Looking ahead, Jon hints at a possible trilogy and shares insights for aspiring writers. His advice? Write consistently, embrace the messiness of the first draft, and be open to collaboration and editing. He underscores the importance of perseverance, passion, and humility in the writing process.
### Final Thoughts
Our conversation with Jon Atli Jonasson offers a captivating glimpse into the world of crime fiction and the intricacies of Icelandic society. As we wrapped up our discussion, it became clear that Yon’s work not only entertains but also challenges readers to think deeply about justice, identity, and change.
We hope you enjoyed this journey through Icelandic crime fiction. Don’t forget to like and subscribe for more insightful episodes, and we look forward to having you with us for the next one! Until then, happy reading!
Yours sincerely,
M. Maurice
